The Great Arc
TITLE
The Great Arc
DIRECTOR
Camille Authouart
COUNTRY
France
YEAR
2022
DURATION
12′
GENRE
Animation
The Great Arc
With nearly 70 monumental works of art scattered throughout the district, La Défense, Paris, is Europe's largest open-air museum. Sitting between the legs of the gigantic Red Spider, I wonder how I didn't notice them before…
DIRECTOR BIOGRAPHY - Camille Authouart
In 2013, Camille graduated from the Animation Film section of the Ecole Nationale Supérieure des Arts Décoratifs de Paris, with honors. Since her graduation, Camille has been exploring the profession of filmmaker, from animated shorts for children (Les Oiseaux du souci, Au dodo les crocodiles!), to feature-length documentaries (Médiums), to music videos and experimental cinema (Mélodie pour Agnès, Mort à l'Aveugle) . The particularity of Camille's work stems from her attraction to novelty, experimentation and the search for transversality. Thus, each film of the director is imagined in a different technique and with its own aesthetic, developed according to each project, with the aim of always being at the service of the story told. Here, for La Grande Arche, the film was born from a sketchbook, so traditional animation and pastel scenery were a natural choice, in order to offer the viewer an experience as close as possible to the story told by the narrator.
- DirectorCamille Authouart
- ScreenplayCamille Authouart
- CinematographyCamille Authouart
- Editing Camille Authouart, Albane Duplessix
- Cast
- Producer/s Emmanuel-Alain Raynal, Pierre Baussaron
-
Production Company
- Distributor/sMiyu Distribution Worldwide
- Project TitleThe Great Arc
- Project TypeAnimation
- Completion Date January 1, 2022
-
Country of origin
France -
Country of filming
France - LanguageFrench
- First-time Filmmaker No
- Student Project No
Camille Authouart
In 2013, Camille graduated from the Animation Film section of the Ecole Nationale Supérieure des Arts Décoratifs de Paris, with honors. Since her graduation, Camille has been exploring the profession of filmmaker, from animated shorts for children (Les Oiseaux du souci, Au dodo les crocodiles!), to feature-length documentaries (Médiums), to music videos and experimental cinema (Mélodie pour Agnès, Mort à l'Aveugle) . The particularity of Camille's work stems from her attraction to novelty, experimentation and the search for transversality. Thus, each film of the director is imagined in a different technique and with its own aesthetic, developed according to each project, with the aim of always being at the service of the story told. Here, for La Grande Arche, the film was born from a sketchbook, so traditional animation and pastel scenery were a natural choice, in order to offer the viewer an experience as close as possible to the story told by the narrator.
