Say Something
TITLE
Say Something
DIRECTOR
Xinyue Dang
COUNTRY
UK
YEAR
2026
DURATION
22′
GENRE
Fiction
Overview

Say Something
Hard-of-hearing young woman Ellie starts to receive voicemails from a stranger, Sibyl. A special attachment develops between them. When Sibyl’s life starts to fall apart, Ellie resolves to cross the town to find Sibyl.

DIRECTOR BIOGRAPHY - Xinyue Dang
Xinyue Dang is a Chinese filmmaker based in London. Her work grows out of a deep fascination with the quiet, easily overlooked corners of daily life, moments where emotions are fragile, tentative, and often wordless. She gravitates toward restrained storytelling, allowing small gestures, pauses, and understated humour to reveal how people negotiate solitude and connection. Before Say Something, she created three early short films developed as private experiments that shaped her understanding of cinematic rhythm and the emotional weight of an image. These early works became the groundwork for her emerging voice. Say Something marks a turning point in her practice: a move toward deepening her ongoing exploration of intimacy and rhythm, bringing her restrained aesthetic into a sustained narrative frame without sacrificing subtlety. Through the film, she continues to explore how individuals reorient themselves when familiar ways of seeing and hearing the world fall away.
Credits
- DirectorXinyue Dang
- ScreenplayHan Jiang
- CinematographyDa Zhang
- CastLeah Swain-Heath, Gwyneth Evans, Jasmine Leah Allen, Ash Tehrani, Xinjiao Lin, Sandijs Valatkaitis, Leon Leshone, Yu-Chieh Cheng, Yiwen Tian, Thelma Osorio Euan
- EditingYang Yang
- Producer/s Han Jiang
- Production Company
- Distributor/s
- Project TitleSay Something
- Project Type Fiction
- Completion Date30 Jan 2026
- Country of originUK
- Country of filmingUK
- LanguageEnglish
- First-time Filmmaker Yes
- Student ProjectNo

Xinyue Dang
Xinyue Dang is a Chinese filmmaker based in London. Her work grows out of a deep fascination with the quiet, easily overlooked corners of daily life, moments where emotions are fragile, tentative, and often wordless. She gravitates toward restrained storytelling, allowing small gestures, pauses, and understated humour to reveal how people negotiate solitude and connection. Before Say Something, she created three early short films developed as private experiments that shaped her understanding of cinematic rhythm and the emotional weight of an image. These early works became the groundwork for her emerging voice. Say Something marks a turning point in her practice: a move toward deepening her ongoing exploration of intimacy and rhythm, bringing her restrained aesthetic into a sustained narrative frame without sacrificing subtlety. Through the film, she continues to explore how individuals reorient themselves when familiar ways of seeing and hearing the world fall away.









