Burned Word (Palabra Quemada)

TITLE

Burned Word (Palabra Quemada)

DIRECTOR

Santiago Sierra

COUNTRY

Spain

YEAR

2012

DURATION

31′

GENRE

Video Art

Overview

Burned Word (Palabra Quemada)

Burned word was performed in El Cabanyal, Valencia, traditional fishing town that has for years been fighting against the speculative plans of the city council. The project was conducted in collaboration with the neighborhood association and Perifèries collective. The word was built by the fallas Workshops of Manolo Martin.

DIRECTOR BIOGRAPHY - Santiago Sierra

The work of Santiago Sierra has been characterized by showing situations where survival is a fundamental element. He translates into artistic practice the inhuman aspects of the economic system, the mechanisms of corruption and the labor exploitation of the individual. He links several references with direct reality to explore and represent the world articulating even a critical stance before the own relations of the art world and its agents. In the nineties his projects by lui became known for establishing systems of negotiation with third parties to carry out actions -generally occupying a public space- to demonstrate the materialistic procedures related to the systemic violence of capitalism and the working conditions that are generated from it. This body of work has questioned the functioning of institutional structures, control over the public space, the emergence of informal architectures in the urban landscape associated with forms of survival; the conditions of disuse and disposal not only from the point of view of the material but also applied to individuals as a reflection of social contrasts.

Credits

Santiago Sierra

The work of Santiago Sierra has been characterized by showing situations where survival is a fundamental element. He translates into artistic practice the inhuman aspects of the economic system, the mechanisms of corruption and the labor exploitation of the individual. He links several references with direct reality to explore and represent the world articulating even a critical stance before the own relations of the art world and its agents. In the nineties his projects by lui became known for establishing systems of negotiation with third parties to carry out actions -generally occupying a public space- to demonstrate the materialistic procedures related to the systemic violence of capitalism and the working conditions that are generated from it. This body of work has questioned the functioning of institutional structures, control over the public space, the emergence of informal architectures in the urban landscape associated with forms of survival; the conditions of disuse and disposal not only from the point of view of the material but also applied to individuals as a reflection of social contrasts.

Specifications

SELECTIONS & AWARDS

Still Photos