Extermination

TITLE

Extermination

DIRECTOR

Dora García

COUNTRY

Belgium

YEAR

2008

DURATION

20′

GENRE

Experimental

Overview

Extermination

Extermination explores the history of the persecution and systematic extermination of people with mental illnesses under Nazi Germany. Through the narration of psychiatrist Erik Thys, Dora García connects this historical episode to broader questions surrounding psychiatry, institutional violence, exclusion, and the treatment of those considered socially or mentally “deviant.”

DIRECTOR BIOGRAPHY - Dora García

Dora García (born 1965, Valladolid, Spain) is a Spanish contemporary artist and filmmaker whose multidisciplinary practice encompasses experimental film, video, performance, installation, and text. Her work explores the boundaries between reality and fiction, often examining questions of control, freedom, identity, and the relationship between performer and audience. García studied Fine Arts at the University of Salamanca and at the Rijksakademie van Beeldende Kunsten in Amsterdam. Since the late 1990s, she has developed a body of work that frequently combines scripted situations, performance, and moving image. Her films include The Breathing Lesson (2001), The Deviant Majority (2010), The Joycean Society (2013), Segunda Vez (2018), and Amor Rojo (2024). Her work has been presented internationally at major exhibitions and festivals, including the Venice Biennale, documenta, Manifesta, and the Sydney and São Paulo Biennials. In 2011, she represented Spain at the 54th Venice Biennale. In 2021, she was awarded Spain’s National Award for Plastic Arts in recognition of her innovative and interdisciplinary artistic practice.

Credits

Dora García

Dora García (born 1965, Valladolid, Spain) is a Spanish contemporary artist and filmmaker whose multidisciplinary practice encompasses experimental film, video, performance, installation, and text. Her work explores the boundaries between reality and fiction, often examining questions of control, freedom, identity, and the relationship between performer and audience. García studied Fine Arts at the University of Salamanca and at the Rijksakademie van Beeldende Kunsten in Amsterdam. Since the late 1990s, she has developed a body of work that frequently combines scripted situations, performance, and moving image. Her films include The Breathing Lesson (2001), The Deviant Majority (2010), The Joycean Society (2013), Segunda Vez (2018), and Amor Rojo (2024). Her work has been presented internationally at major exhibitions and festivals, including the Venice Biennale, documenta, Manifesta, and the Sydney and São Paulo Biennials. In 2011, she represented Spain at the 54th Venice Biennale. In 2021, she was awarded Spain’s National Award for Plastic Arts in recognition of her innovative and interdisciplinary artistic practice.

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