Karst

TITLE

Karst

DIRECTOR

Petar Vukičević

COUNTRY

Croatia

YEAR

2026

DURATION

19′

GENRE

Fiction

Overview

Karst

When the son returns to his father’s childhood home seeking solace, he finds him just as he left him - distant and stubborn. In the harsh karst landscape of the Dalmatian hinterland, their strained relationship deepens as they clash over the fate of the father’s bull.

DIRECTOR BIOGRAPHY - Petar Vukičević

Petar Vukićević is a Croatian filmmaker and screenwriter from Split. He studied Film and Television Directing at the Academy of Dramatic Art in Zagreb and has developed his work through both fiction and documentary filmmaking. His films explore human relationships, masculinity, family dynamics, and the transition from youth into adulthood. His short fiction film Karst (Krš, 2026) marks his first professional fiction film. Set in the rural landscape of Dalmatinska Zagora, the film follows a young man in his late twenties who returns to his father in the countryside in an attempt to heal a broken heart. In confronting his father and the environment he left behind, he begins to recognize aspects of himself that mirror the very patterns he has tried to escape. Vukićević’s filmmaking is grounded in an intimate understanding of place and character, with a particular interest in male identity and intergenerational relationships. His work combines a strong sense of local atmosphere with emotionally complex and understated storytelling.

Credits

Petar Vukičević

Petar Vukićević is a Croatian filmmaker and screenwriter from Split. He studied Film and Television Directing at the Academy of Dramatic Art in Zagreb and has developed his work through both fiction and documentary filmmaking. His films explore human relationships, masculinity, family dynamics, and the transition from youth into adulthood. His short fiction film Karst (Krš, 2026) marks his first professional fiction film. Set in the rural landscape of Dalmatinska Zagora, the film follows a young man in his late twenties who returns to his father in the countryside in an attempt to heal a broken heart. In confronting his father and the environment he left behind, he begins to recognize aspects of himself that mirror the very patterns he has tried to escape. Vukićević’s filmmaking is grounded in an intimate understanding of place and character, with a particular interest in male identity and intergenerational relationships. His work combines a strong sense of local atmosphere with emotionally complex and understated storytelling.

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